Saatchi gallery on the stoop after judge sides with landlord, evicts them

Blogged under Europe, Public Museums & Galleries, Law by ADD on Monday 24 October 2005 at 6:33 am

copyright Saatchi Gallery
ABOVE: detail from Till Gerhard’s Das Wir Gefuhl (2004), part of the Saatchi Gallery’s show The Triumph of Painting. It has not been a triumph of real estate: the gallery was evicted by its landlords last weekend.

Charles Saatchi’s feud with his gallery’s landlord came to an abrupt and messy end late last week when the owners of the building, County Hall, won a court hearing to evict the gallery for breach of contract. The gallery had already announced that it was to leave County Hall for a new larger gallery in Chelsea—in 2007. The figurative get-the-hell-out note on the door makes the move a little more urgent. The Saatchi Gallery recently offered a 2-for-1 ticket deal, which the landlord, Shirayama Shokusan Corp, claimed violated the tenant’s agreement.

But that small technicality comes after years of rancour on both sides of the table, with Shirayama Shokusan European rep Makoto Okamoto hurling invective and the equally mercurial Saatchi hurling it right back. The Gallery also apparently did things like park cars on the steps of the building as installation art, which Okamoto wasn’t informed of ahead of time. Tit for tat, Okamoto changed the locks on the gallery’s disabled washrooms, which spawned another fight. Boys will be boys; millionaire boys, doubly so. It’s unclear exactly how much time Saatchi & co. have to vacate the premises, and their space in Chelsea is not ready to move in. A page on the gallery’s website makes reference to the new locale, but details are sketchy—or, shall we say, fauvist.

LINK: The Guardian > Saatchi Gallery gets its marching orders

There’ve been some changes made…

Blogged under Announcements by ADD on Monday 24 October 2005 at 6:00 am

Public Domain

You will notice, starting today, that we’ve changed the design of Art Digest Daily. The new format allows for some more flexibility in the size and shape of image we can display for your viewing pleasure, and being a blog about art, it seems like actually seeing the stuff might be, you know, important. We hope you like it, but it’s not really up to you, is it?

But that brings us to the other exciting new development we’re implementing today, which is that commenting is now open on all our new posts. You are now welcome, and encouraged, to add your two or more cents at the end of each post, whether you agree or disagree with us, whether you want to write “neato” for the hell of it or compose a 4,000-word essay on the Freudian-Jungian juxtapositions in post-Futurist imagery of the Luxumbourgian interwar years. Write it in for your fellow readers to enjoy. Naturally, any hateful or defamatory language will be swiftly expunged, but other than that, go to town.

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–ADD

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